Happy Halloween! Happy Fall!
Saturday, October 31, 2009
Last week I picked up some really beautifully colored fall leaves and they became the subject matter for my classes. This illustration is done in watercolor pencil with some colored pencil on top. The yellow spots are where the watercolor ran when I wet it with a spray bottle (I was experimenting). They are not that noticeable on the original, for some reason my scanner really accentuates yellow. Surface we used was Crescent illustration board which I would not recommend when using a lot of water and many layers on pencil on the wet, the top layer starts to peel off.
Friday, October 30, 2009
Putting the pastels aside this week in order to finish this piece and hang it at Spring Bull Gallery. I'm working the colored pencil with solvent and applying it almost like paint. I put down an initial layer of colored pencil, then brush solvent onto the area. I work small areas at a time because the solvent dries quickly. While it is still wet, I work more pencil into the area, sometimes using 2 or 3 colors simultaneously. The solvent strengthens the intensity of the pigment. My next step will be to knock down the intensity of the indigo blue shadows and also the dark red leaf in the bottom third of picture.
Tuesday, October 20, 2009
I just returned from spending 10 days in Italy; 3 days in Florence and a week at a villa just outside of Siena. The Florence art and architecture is amazing. Michelangelo will never cease to amaze me with his painting and sculpture. "David" is incredible, the sculpture takes your breath away, every muscle, every angle is perfect.
While in the country, I did 5 plein aire pastel pieces which I am trying to finish up in my studio. I have discovered that trying to work from the photos I took is really difficult. Not only are the values flattened, but the photos seem to be condensed vertically. Its going to take some creativity on my part to keep my pastel work lifelike. Here is one small drawing I worked on while visiting a small town called Bagno Vignoni. Its on terra cotta colored Sennelier LaCarte paper.
Thursday, October 1, 2009
I'm working all around the piece, I've decided to put the colored shells in first and then add the background pieces that are in shadow or in shades of grays. The color is more fun to work with. I like the subtle softness of the shells in the first layer of pencil before I add the solvent and deepen the color. I plan to try a similar drawing of shells on another surface in which I won't use solvent, just pencil and let it be very subtle. I've started working with the solvent and colored pencil in the upper right and you can see how bold the colors become.