Sunday, April 6, 2014
I've started a small (8x8") pet portrait of my Yorkie, Bandit's, face close up. I'm working on a Fabriano paper in which I love. It has a textured surface with faintly impressed vertical lines that add a nice texture and pattern to the drawing. Unfortunately, I can't recall or find the name of this paper and I'm not sure if Fabriano even makes it any more. Someone gave me a few sheets more than ten years ago and I just happened to have a small sheet left. I always start with the eyes and nose because those are the most important features to capture the pet's likeness and personality.
Here are two finished dog portraits of this black lab, Ike. Sadly, Ike was hit by a car at a very young age and isn't with us any more. His owner misses him very much. But here is a nice story: the coworkers of his owner got together and commissioned me to create these 8x8" portraits of Ike as a remembrance for Ike's owner. I will be curious to find out how Ike's owner likes these two pieces when he receives them.
I worked the two drawings on white Stonehenge drawing paper and Prismacolor pencils, I cut the paper to 8 1/2 x 8 1/2". When the drawings were complete I sprayed them with two coats of Krylon UV Resistant Clear fixative. Then I attached them to two 8x8" Ampersand Cradled Claybord panels with Grafix archival double stick mounting film and then carefully trim the edges with a mat knife. I always create the drawing a little larger than the board I am mounting it to in case it moves a little. Next I spray the entire piece and edges with three coats of Krylon Kamar Varnish to seal it (or any permanent non-yellowing varnish will work). The final step is to brush on Golden UVLS polymer varnish (water based) and thinned three parts varnish to one part water. Brush carefully in order to not get bubbles and keep it consistent. I will layer on three or four more coats of the Golden varnish letting each dry at least an hour or more in between. I also put two coats on the wood edges. Or you can paint the edges.