These next two pieces are also the jellyfish swimming around at the aquarium. The top is the first layers of color and the second piece is after more colors were added. I like seeing them together, both are really fun exercises.This watercolor is of seaweed flowing underwater. I played with four color schemes (clockwise): Monochromatic, Analogous, Double Complementary and Complementary. I think I would like to try this one again but without the dividing lines, letting them flow into each other. For this exercise our instructor brought in slices and leaves of green and purple cabbages. We looked at shapes, how lines intersect and form shapes and patterns. In my experimenting and painting, I am finding that I often use colors right from the tube or slightly mixed with other colors. Apparently I like a bright colorful palette.
KJF DESIGN Fine Art
Journeys in Colored Pencil ... And Other Mediums
Tuesday, April 1, 2025
Experiments in Abstract Watercolor
These next two pieces are also the jellyfish swimming around at the aquarium. The top is the first layers of color and the second piece is after more colors were added. I like seeing them together, both are really fun exercises.This watercolor is of seaweed flowing underwater. I played with four color schemes (clockwise): Monochromatic, Analogous, Double Complementary and Complementary. I think I would like to try this one again but without the dividing lines, letting them flow into each other. For this exercise our instructor brought in slices and leaves of green and purple cabbages. We looked at shapes, how lines intersect and form shapes and patterns. In my experimenting and painting, I am finding that I often use colors right from the tube or slightly mixed with other colors. Apparently I like a bright colorful palette.
Friday, March 21, 2025
Working in Ceramics
I am taking classes in ceramics at Lighthouse Art Center while spending the winter in Florida. I am working mostly with handbuilding and underglazes which utilizes surface design. I really enjoy exploring another medium, especially creating images on 3D surfaces instead of using flat papers. I feel this stimulates my creative growth.
The top pieces are created from slabs and the technique I used is image transfer where I paint the design on newsprint with slip and underglazes and print it onto the wet clay before it is fired.
This technique is again working with underglazes but using stencils cut from newsprint, dampened and applied to the wet clay. I layer my underglazes and stencils to produce the shapes. I did learn that I need to use like colors, the blue over the orange neutralized because (orange and blue are complementary colors) creating some grays instead of the nice light blue I was trying for.Sunday, November 3, 2024
Working with Acrylic Inks & Gouache
I decided to try experimenting on my own. To begin, I created a small drawing in pencil then went over it with black ball point pen.
For this painting I drew the Cardinal and branch in black ball point pen and again added some journaling about Cardinals. I then used Burnt Umber and Prussian Blue Liquitex Acrylic Ink for the background. Misted with water before painting the Cardinal and branch with gouache. If you would like to see a more detailed video of this process, I found Marianne Vander Dussen's video Gouache Sketchbook on YouTube. She explains this process more in depth.
Wednesday, August 21, 2024
Varnishing Colored Pencil - Part 2
Wednesday, July 31, 2024
Varnishing Colored Pencil - Part 1
There are times when I like to mount my colored pencil artwork on a cradled panel or present it in a floater frame as opposed to framing the art under glass. In order to do this I need to varnish the finished piece. Up until now I had been varnishing my colored pencil work with water based Golden UVLS Polymer Varnish. I wrote about my experiements with this particular method in a blog post, link here.
However, Golden has discontinued the Polymer Varnish and replaced it with a new product (also water based) Golden Waterborne Varnish. I thought I could apply the Waterborne varnish the same way as I did the UVLS Polymer Varnish and found out the hard way both products are completely different. So I have decided to do some experimenting with different methods of varnishing my work.
These are the various products I using in my testing. I first spray my drawing with a coat of Krylon UV Resistant Clear, let it dry for about 15 minutes and gave it another coat. I always spray my colored pencil as an isolation to fix the color so the color won't move or streak when I apply any kind of varnish.
First experiment:
I recently watched a video in which the artist is using gel medium as a varnish over watercolor so I decided to try it over colored pencil. I mixed the Golden Regular Gel Semi Gloss diluted with water, equal parts of each. After the second coat of UV Resistant clear was dry, using a 2" wide flat, soft bristle brush I brushed on a layer of the gel medium mixture carefully going in one direction only. As it dried I noticed streaking and brush marks in some areas no matter how hard I tried to apply evenly (as indicated above).
So I contacted Golden company and the customer service person suggested the Golden Open Acrylic Gel or Golden Soft Gel are better options for varnishing as they are both softer bodied and lay down smoother. I also found that using a newer soft brush works much better, the older ones either seem to stiffen up with use. There is good information on using Golden gels here.
Third experiment:
Using the Krylon Kamar Varnish spray as the final varnish. I fixed my drawings first the same way with 2 coats of the Krylon UV Resistant Clear. The two drawings above were then sprayed with 2 coats of the Kamar Varnish, allowing the first layer to dry (at least 30 minutes) before applying the second. As you can see, the Kamar varnish leaves a textured or mottled effect on my drawings that you can particularly see in the white area on the lobster drawing. It isn't so bad on the leaf drawing in which the entire surface is covered.
In the next post I will write about my experiments with the Golden Gloss Waterborne Varnish.
If anyone reading this has any feedback or has tried their own experiments, please contact me as I would like to hear about it.
Saturday, July 13, 2024
Mounting a Watercolor on a Panel
Here is what my piece looks like when mounted on the panel. It is completely flat and professional looking. Erase any marks or sand any edges that aren't even. The next step is to apply a varnish or fixative to the drawing and I will show that in the next blog post.
Tuesday, May 14, 2024
Two Upcoming Summer Workshops
We will create vibrant drawings with the simple tool of colored pencil by layering, blending, burnishing and creating rich darks and color. We will have discussions, demos, practice and then work from still life subjects or reference photos. Finishing the workshop with a review and sharing of our work.
See both websites for more info or to register, you can always contact me with any questions too.
Friday, January 19, 2024
Featured Artist in Endangered Exhibit
I am excited to have been chosen to be the Virtual Artist in Residence for the exhibit Endangered promoted by the non profit group Art4Apes. Link to my bio and information is here. Link to the virtual gallery is here.Endangered is "a team of art and photography lovers who believe that art, in all its forms, can reach people all over the globe and win hearts and minds for the cause of preserving all forms of life and the environment. To this end, we organize exhibitions, contests, and other events to focus attention on all that is ENDANGERED in our world.
We believe that reaching out to Young Artists and encouraging them to express their concerns for the environment and endangered species through art is important if we are to safeguard the future of our planet."
The Center for Great Apes is a non profit corporation whose mission is to provide a permanent sanctuary for orangutans and chimpanzees who have been rescued or retired from the entertainment industry, from research, or who are no longer wanted as pets. The Center provides care with dignity in a safe, healthy, and enriching environment for great apes in need of lifetime care. Please visit the website to learn more. ALL donations go directly to support the Center.
Thursday, November 9, 2023
The members of 19 on Paper artist group are celebrating our 35th anniversary with an exhibit at Bristol Art Museum, Bristol, RI. A selection of past members with be exhibiting with us. Exhibit opens Sunday November 12, if in the area please join us for the opening reception Sunday, November 19, 2-4 pm.
Included below are three of my works in the exhibit. The Invitation is a colored pencil drawing of stacked tea cups with inspirational sayings on the tea bags. Fly Fish Round Up is an altered book sculpture featuring a fly fishing book with embellishments. Shell Swirl is a colored pencil drawing of a variety of shells in a circular pattern.
Monday, November 6, 2023
Holiday Little Picture Show at Providence Art Club
Wednesday, June 28, 2023
Portrait of Murdock
This is Murdock, I drew a portrait of this sweet dog for his owner. I don't know Murdock's whole story but I do know he was a rescue who ended up losing one eye and lived a short life. In every photo I saw, Murdock looked so happy and I know his owner loved him very much. I think Murdock loved his owner very much too. I was asked to draw a portrait of him and given several photos. In one of these photos Murdock was standing in water on the shore looking very happy, so I chose that pose. I found inspiration with seafoam-y water flowing onto the beach and surrounding shells so I chose to draw Murdock in this serene environment. I often don't add backgrounds to my pet portraits however I realize the surroundings can give character or a sense of serenity to the composition so I may try this now. RIP little Murdock, you have been loved.
Tuesday, May 2, 2023
Art Fluent Award
An artist friend suggested I enter the Art Fluent Animalia exhibit so I sent in a few of my safari drawings. I was really excited when I learned that this drawing Majestic won one of the two Director's Choice Awards!
We met this beautiful elephant in Amboselli National Park in Kenya. We were riding in our safari jeep when he came out of the bushes and stood in a field not far from where we parked to observe. This elephant proceeded to put on a show for us by throwing dirt on his back to cool himself off as well as swaying and moving around. We must have stayed right where we were and watched for at least thirty minutes. I had plenty of time to study and photograph this beautiful creature.
Image size is 13x14", colored pencil on rag mat board.
Saturday, April 29, 2023
My Exhibition 'Into the Wild'
The opening was well attended by family, friends, colleagues and new friends. I was so thrilled to talk to the guests about my work and my safari travels to Africa.
The last two photos are of my artist talk a few days before the exhibit ended, which was also well attended. Again I enjoyed talking about colored pencil, my work and my experiences on safari.
I was thrilled to sell eight pieces during the exhibit and I am donating a portion of my sales to Lewa Wildlife Conservancy Lewa focuses primarily on conservation of the white and black rhinos, Grevy’s Zebra and elephants. Lewa also promotes things like education, healthcare, clean water and youth empowerment for its community.
I thank everyone who came and supported me and my work and also to you reading this post!