Sunday, November 16, 2014
I am teaching a colored pencil drawing class at the Newport Art Museum, Newport, RI and I thought I would share our lesson on Friday. My students are beginners to working in colored pencil although most have taken other art classes and open to trying new techniques with colored pencil. For this class, I had them work on 5x7" Ampersand Gray Pastelbords using colored pencil and odorless Gamsol solvent. They each have a set of 48 Prismacolor pencils and we work within the colors contained in the box. I chose cherries as a subject for them and let each person choose the background. They each began by deciding on their composition and then sketching it out. Next adding a layer of colored pencil and working in the solvent with a brush, afterward adding more layers of colored pencil to the wet solvent and later more when the area had dried.
On Saturday I went up to Boston with a friend to visit the Richard Schmid, Nancy Guzik and Kathey Anderson oil exhibit at the St Botolph Club and the Boston Fine Arts Expo. Besides being back in my old Copley Square neighborhood from my college days, I really enjoyed and was inspired by all the wonderful art at both events and the American Art Collector magazine I picked up on the way out. Although, there are mostly oils at the Fine Arts Expo, there were some pastels and watercolors but a very few drawings and no colored pencil. Much of the work was from the 19th and early 20th centuries, although some contemporary artists mixed in. Still inspiring but got me thinking how can professional colored pencil works become included?
Wednesday, November 12, 2014
These are two 8x10" commissioned pet portraits that I just finished, Bella is on the top and Ruby is below. Both are worked on Ampersand Pastelbord, Bella is on Sand Pastelbord and Ruby is on white Pastelbord tinted with brown tones of watercolor. Both pieces are worked in colored pencil. I have added odorless mineral spirits to the colored pencil to smooth out the texture in the background to compliment the fur textures of the dogs.
Sunday, November 9, 2014
I'm teaching one Colored Pencil Drawing class right now at Newport Art Museum in Newport, RI. Below are two of the class drawing assignments. We are using the Prismacolor 48 pencil set which limits the color range and is forcing us to mix colors to achieve a local color or value we may not have a pencil for. Below are my examples as I draw along with the class.
Drew autumn leaves on a colored background, using Canson Mi Tientes paper. Here I am allowing some of the yellow tones to show through my leaves and using limited colors. I haven't done much layering, just juxtaposing colors by laying them side by side.
All of these colors except Light Cerulean Blue are warm colors which worked well together, I chose Light Cerulean Blue because I needed a light blue value, but used it very lightly so it wouldn't stand out against the warm colors. The blue shades and yellow/orange/brown shades are complementaries and I layered to create colorful grays for the different values.
Saturday, November 1, 2014
Key Largo Palms
Torreone Village, Tuscany
Cortona Hillside, Tuscany
The second two pastels were painted plein aire while in Tuscany, and also finished in the studio. I've learned to make good color notes because when I come back to the studio and try to finish from a photo, the colors and values have changed from working on location.
The exhibit is on through the month of November and includes nine other pastel artists: Rick Cardoza, Shelly Eager, Sarah Fielding-Gunn, Janet Gendreau, Diane L’Heureux, Priscilla Malone, Kelly Milukas, Evelyn Rhodes, and Jeanne Tangney.