Spotted Hyena Drawing

I've been working on this drawing of a spotted hyena, my reference photo is from our African Safari trip. As hyenas are scavengers, this hyena was sitting in the dirt and watching a lion with a wildebeest carcass. Just waiting for a chance to pick up the scraps. My reference photo is at the bottom of this post, I was intrigued by this messy looking animal with matted fur and decided to clean him up a bit. I wanted to capture textures of the fur and the determined look in his eyes.

Using Adobe PhotoShop and Lightroom, I was able to lighten his eyes and nose to see the details and distinctions. I chose to leave out the background and focus on the portrait of the hyena. The paper I chose is Fabriano Tiziano drawing paper. I usually don't work on a paper that is this textured but for this drawing I think the background color and the texture lend itself to the fur and features.

I used Prismacolor Premier, Caran d'Ache Luminance and a few Derwent and Faber Castell polychromos colored pencils. In this photo I have also included my color swatches on a scrap of the Fabriano Tiziano paper. I like to try out different colors before choosing which ones I will use. 

Please excuse the inconsistencies in my photos, they were taken with my iPhone but in different lighting during my process!

 

Pet Portrait of Nikki

 I was asked to create this pet portrait as an anniversary gift for the owners of this beautiful Golden Retriever Nikki. My customer asked for a small piece that could be hung or displayed on a stand. We decided on an 8x8"image in colored pencil that would be mounted on Ampersand Clayboard 3/4" cradled panel to be unframed and varnished.

I chose to work on Fabriano Tiziano paper, the color is Felt Gray. This is one of my favorite papers for pet portraits. I like the textured and flecked background so I will let the paper show through as the background behind Nikki.

My first step is to layout the drawing and put in the outlines in graphite pencil. I don't have to add a lot of detail to my initial line drawing but I want to be sure I have important features such as the eyes, nose and mouth in the proper positions. Using a sgraffito tool (has a blunt pointy end that will impress lines into the paper) I have impressed lines into the paper where the whiskers and some of the hairs will be. That way I can add color over the area and the whiskers will remain the color of the paper.

Using Prismacolor, Derwent Drawing and Luminance colored pencils I add white, cream, warm yellows, red browns, browns and warm grays to the drawing building and layering colors on the paper. Some of the areas have been burnished with a bristle brush; particularly the eyes, nose and tongue. My customer asked me to leave the drawing somewhat "sketchy" and simple and I did that by letting the drawing softly flow to the edges.

I did receive feedback from the owners and they love the piece. It's small enough to fit in a small space on the wall and enjoyed every day!

My Latest Pet Portrait

This is Brina, 8x10" in colored pencil on gray Fabriano paper. I worked Brina in Prismacolor, Lyra Rembrandt, Caran d'Arche Luminance and Derwent Artists colored pencils. The reason for all the different brands is because I like the different brown tones that I can't find in just one brand. I also like the variety of softness and hardness of the leads and just the feel of different pencils.

The piece is mounted on white gatorboard with double tack mounting film. I sprayed one good coat of Krylon UV Resistant Clear, then two coates of Krylon Kamar Varnish and about four coats of Golden Polymer Varnish with UVLS applied with a brush. I framed the piece without glass in this nice soft silver frame.

Brina is my brother's family dog who (unfortunately) recently passed away. This portrait was a Christmas gift for the family, a nice remembrance of the family pet.

New Pet Portraits

 Here are two colored pencil pet portraits I have recently completed, both are with a different technique. The top is of my friend's two cats Marco Polo and Bernini. I worked this on a textured gray Fabriano paper and I can't recall the name of it. I like the texture for the fur and background although my camera picked up more texture and the paper showing through than is actually in the portrait. This piece is approximately 8x10" and framed under glass.

This colored pencil portrait of Tuco was worked on 8x10" Ampersand Pastelbord, the color is Sand. This portrait has less texture, I smoothed out the bottom layers of colored pencil and the background with a soft brush and solvent. Tuco's finished portrait was varnished and framed in a brown floater frame (below).

Pet Portraits

I've started a small (8x8") pet portrait of my Yorkie, Bandit's, face close up. I'm working on a Fabriano paper in which I love. It has a textured surface with faintly impressed vertical lines that add a nice texture and pattern to the drawing. Unfortunately, I can't recall or find the name of this paper and I'm not sure if Fabriano even makes it any more. Someone gave me a few sheets more than ten years ago and I just happened to have a small sheet left. I always start with the eyes and nose because those are the most important features to capture the pet's likeness and personality.

Here are two finished dog portraits of this black lab, Ike. Sadly, Ike was hit by a car at a very young age and isn't with us any more. His owner misses him very much. But here is a nice story: the coworkers of his owner got together and commissioned me to create these 8x8" portraits of Ike as a remembrance for Ike's owner. I will be curious to find out how Ike's owner likes these two pieces when he receives them.

I worked the two drawings on white Stonehenge drawing paper and Prismacolor pencils, I cut the paper to 8 1/2 x 8 1/2". When the drawings were complete I sprayed them with two coats of Krylon UV Resistant Clear fixative. Then I attached them to two 8x8" Ampersand Cradled Claybord panels with Grafix archival double stick mounting film and then carefully trim the edges with a mat knife. I always create the drawing a little larger than the board I am mounting it to in case it moves a little. Next I spray the entire piece and edges with three coats of Krylon Kamar Varnish to seal it (or any permanent non-yellowing varnish will work). The final step is to brush on Golden UVLS polymer varnish (water based) and thinned three parts varnish to one part water. Brush carefully in order to not get bubbles and keep it consistent. I will layer on three or four more coats of the Golden varnish letting each dry at least an hour or more in between. I also put two coats on the wood edges. Or you can paint the edges.